TWO:My contradiction became known in Germany, and it was an eye-opener to a great many people231 there. The editor of De Tijd received many letters from that country, and printed some of them with the name of the writer added. From these it seems that even there it was acknowledged in some circles that the German inquiry had been extremely one-sided, and that it would have been wiser to admit what had happened at Landen, and punish the culprits.I explained who I was, and was then allowed to come nearer. They were drunk, and with glassy eyes talked about francs-tireurs, the friendship Germans felt for Netherlanders, and so on. One of them entered the still burning corner house and returned with three bottles of wine, one a bottle of Champagne; corks were drawn and one of the bottles handed to me. First I said that I never took wine, then that the doctor had forbidden it; it was of no use. The fellow who held the bottle in front of me got nasty, and shouted:
TWO:The noble spirit of Marcus Aurelius was, indeed, proof against such temptations: and he had far more to dread than to hope from the unlightened voice of public opinion; but to him also, standing between two eternities, Nature presented herself chiefly under the aspect of an overwhelming and absorbing Power. Pleasure is not so much dangerous as worthless, weak, and evanescent. Selfishness, pride, anger, and discontent will soon be swept into abysmal gulfs of oblivion by the roaring cataract of change. Universal history is one long monotonous procession of phantasms passing over the scene into death and utter night. In one short life we may see all that ever was, or is, or is to be; the same pageant has already been and shall be repeated an infinite number of times. Nothing endures but the process of unending renovation: we must die that the world may be ever young. Death itself only reunites us with the absolute All whence we come, in which we move, and whither we return.103 But the imperial47 sage makes no attempt to explain why we should ever have separated ourselves from it in thought; or why one life should be better worth living than another in the universal vanity of things.
TWO:For the life of him Bruce could not say. It was absurd to suppose that by some mistake the Bank of England had issued two sets of notes of the same series of numbers. There was no mistake about the murdered man's letter either.
- 水処理薬品
- 簡易?小型貫流ボイラ?貫流ボイラ向けに開発した純正ボイラ薬品。
TWO:But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.
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